A trajectory
Four stages
Genesis tells how it all began.
Origin shares the pattern.
Fusion invites art into the fabric.
Expression turns the set into an artwork: worn, displayed, transformed.
A silent manifesto
The Ego Trip 167-40
It all begins here.
For ten years, Nathalie Tardif made her A-line skirt and matching bag sets, cut from furnishing fabrics, designed for her own body shape and worn every day. These pieces are where the brand and the concept began.
The shared experience
The signature pattern, available in several sizes
The A-line skirt and its matching bag are cut from furnishing fabrics.
The A-line skirt and its matching bag are cut from furnishing fabrics.
A recognisable silhouette, free to move.
The collaborative experience with associate artist Michel Clouin
Digital paintings printed on textile
The digital paintings are jointly selected by the artist and the creator.
The pattern adapts to the artwork to display it at its best and make it circulate on a body, in motion and in space.
The artistic experience with associate artist Michel Clouin
Painted canvases, crafted into pieces
The artist paints on the canvas, which is then crafted into a piece. Each piece is a unique artwork.
It circulates on a body and displays the artist's work: in motion, in space, in the sensation of wearing an artwork and in the gaze of others, whether intrigued or indifferent.
A protocol allows the pieces to be transformed into wall artworks.
The offcut, which bears witness to its first use, is reborn as a new artwork, keeping the marks of its journey.